Arte Conceptual
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ARTE CONCEPTUAL
Néstor Martínez Celis
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Bicicleta, 1913 Fuente,1917Air de Paris
(50 cc of Paris Air), 1919
Marcel Duchamp
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Ad Reinhart. Abstract Painting, 1960-66
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Sol Le Witt. 49 Three Part Variations on Three Different Kinds of Cubes, 1967-72
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Sol Le Witt. Wall Drawing #146, September 1972
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En el arte conceptual la idea o el concepto es la parte más importante del trabajo. Cuando un artista utiliza una forma conceptual de arte, significa que todo el planteamiento y las decisiones están hechos de antemano; la ejecución es un asunto superficial. La idea se convierte en una máquina que hace el arte.
Sol LeWitt, "Párrafos sobre arte conceptual", Artforum, de junio de 1967.
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Sol Le Witt. Lines from the midoints of lines, 1975
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Sol Lewitt. A square divided horizontally and vertically into four equal parts, each with a different direction of alternating parallel bands of lines, 1982
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Joseph Kosuth. One and Three Chairs, 1965
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"Todo arte (después de Duchamp) es conceptual (en la naturaleza), porque el arte sólo existe conceptualmente ".
Joseph Kosuth."Arte después de la Filosofía", 1969,
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Joseph Kosuth. One and Three Chairs, 1965
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Joseph Kosuth. One and Three Lamps, 1965
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Joseph Kosuth. One and Three Pans, 1965
Joseph Kosuth. One and Three Saws, 1965
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Joseph Kosuth. Four Words Four Colors, 1965
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Joseph Kosuth. Five words in green neon, 1966
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Joseph Kosuth. One and eight - a description, 1966
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Joseph Kosuth. Titled (Art as Idea as Idea) First Investigations, 1967
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Joseph Kosuth. Art as Idea. Nothing, 1968
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Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Index 01, 1972
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Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974
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Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974
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Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Incident in a Museum, Madison Avenue, 1986.
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Robert Barry. Untitled, 1974
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Robert Barry. Untitled, 1978
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Robert Barry. Otherwise, 1981
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Robert Barry. Vista exposición, Brescia Italia, 2005
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Lawrence Weiner. Small Piles of those things that fall through the cracks in the floor, 1989
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Lawrence Weiner. Untitled, 1968
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Lawrence Weiner. Two blocks of tempered steel, 1993
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Víctor Burgin. Performative-narrative, 1971
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Lawrence Weiner. Statement 020, 1967-8
’THREE MINUTES OF FORTY POUND PRESSURESPRAY OF WHITE HIGHWAY PAINT UPON A WELL TENDEDLAWN. THE LAWN IS ALLOWED TO GROW AND NOT TENDEDUNTIL THE GRASS IS FREE OF ALL VESTIGES OF WHITEHIGHWAY PAINT.’
TRES MINUTOS DE UNA PRESIÓN DE CUARENTA LIBRAS EL AEROSOL DE LA PINTURA BLANCA DE LA CARRETERA SOBRE LA SUPERFICIE DEL CÉSPED. EL CÉSPED SE PERMITE CRECER Y NO SE ATIENDE HASTA QUE LA HIERBA ESTÉ LIBRE DE TODOS LOS VESTIGIOS DE LA PINTURA BLANCA DE LA CARRETERA.
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Douglas Huebler. Duration Piece Nº 31, 1973
"El mundo está lleno de objetos, más o menos interesantes. No quiero seguir añadiendo más objetos a los existentes. Prefiero simplemente plantear la existencia de cosas en términos de tiempo y espacio".
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Hanne Darboven. Construction Drawing, 1968
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Roman Opalka. 1965/-∞ (Detail 1-35327). 196 x 135 cm.
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On Kawara. 18 feb. 1973 - mar. 14. 1973
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On Kawara. Date Paintings. Mar. 11, 1967
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On Kawara. Date Paintings. May 31 1980, July 24 1980
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On Kawara. Installation view, 1989
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On Kawara. II got up at 8.01 a.m, 1974
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On Kawara. Un millón de años (pasado y futuro) desde 1970 (Documenta XI)
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Marcel Broodthaers, White Cabinet and White Tables, 1965
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Marcel Broodthaers,
Le corbeau et le renard, 1968
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Marcel Broodthaers, Paintings, 1973
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Marcel Broodthaers, Enseignment Agricole Les Animaux de la Ferme (A-B), 1974
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Marcel Broodthaers, Musée d'Art Moderne, Département des Aigles, Section des Figures Der Adler von Oligozän bis Heute, 1968-1972
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Daniel Buren. De la Coureur de la Matière, 1945
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Daniel Buren. Three light boxes for One Wall, 1989
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Daniel Buren. The Rotating Square - In and Out of the Frame, 1989
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Daniel Buren. Cabane éclatée deux fois, 1990-1
Todos los actos son políticos, y si uno es consciente o no, la presentación de su trabajo artístico no escapa de esta regla.
Daniel Buren
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Daniel Buren.
En el Guggenheim, marzo 26 2005
Daniel Buren.
Painting-Sculpture -work in situ- Geggenheim, N.Y., 1971
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John Baldessari. Pure Beauty, 1967-68
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John Baldessari. What Is Painting,1967-68
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John Baldessari. PRIMA FACIE, 2005
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ARTE CONCEPTUAL
Néstor Martínez Celis