44
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
22
TheTheSurrealSurreal
BookBookVolume XIIVolume XII
(2nd edition - C)(2nd edition - C)
The Jam-Tonic presentaThe Jam-Tonic presenta
N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
22
The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.TheThe
SurrealSurrealBookBook
Volume XIIVolume XII(2nd edition - C)(2nd edition - C)
33
Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.
N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.
Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.
Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas distribuirlo, escanearlo, regalarlo o hacerte un gorrito para evitar que las ondas omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.omega de Raticulín te penetren el serebro y te hagan más tonto de lo que ya eres.
Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección [email protected]. que se te ocurran y los errores que encuentres a la dirección [email protected]. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.
The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen XII ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.
Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.
44
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3434 Full houseFull house F minF min3535 Házmelo otra vezHázmelo otra vez B majB maj3636 (I don't stand) A ghost of a chance (with you)(I don't stand) A ghost of a chance (with you) C majC maj3737 I wan'na be like youI wan'na be like you E majE maj3838 Il mondoIl mondo D majD maj3939 (I'm) Confessin' (that I love you)(I'm) Confessin' (that I love you) G majG maj4040 I'm glad there's youI'm glad there's you F majF maj4141 I'm still hereI'm still here G majG maj4242 I'm through with loveI'm through with love F majF maj4343 Keepin' out of mischief nowKeepin' out of mischief now C majC maj4444 La belle vie (The good life)La belle vie (The good life) F majF maj4545 La chanson des vieux amantsLa chanson des vieux amants C minC min4646 La javaneseLa javanese A majA maj4747 Layla (original version)Layla (original version) F minF min
- (MTV Unplugged version) - (MTV Unplugged version) D minD min4848 Let them talkLet them talk C majC maj4949 Let's face the music and danceLet's face the music and dance C majC maj5050 Little MelonaeLittle Melonae B majB maj5151 Loss of loveLoss of love E minE min5252 Louisiana fairytaleLouisiana fairytale C majC maj5353 Love theme from Romeo and Juliet (A time for us)Love theme from Romeo and Juliet (A time for us) G minG min5454 Mama told me not to comeMama told me not to come G majG maj5555 Miss Otis regretsMiss Otis regrets E majE maj5656 Mon homme (My man)Mon homme (My man) G majG maj5757 Monk's moodMonk's mood D majD maj5858 Moose the moocheMoose the mooche B majB maj5959 MumblesMumbles E majE maj6060 My man's gone nowMy man's gone now E minE min6161 Never can say goodbyeNever can say goodbye C majC maj6262 New OrleansNew Orleans C majC maj6363 9:20 special9:20 special C majC maj6464 Nocturne #13 (Arrangement: The Jam-Tonic)Nocturne #13 (Arrangement: The Jam-Tonic) C minC min6565 NosotrosNosotros C majC maj6666 Only youOnly you G majG maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
0101 A kiss to build a dream onA kiss to build a dream on C majC maj0202 A nightingale sang in Berkeley SquareA nightingale sang in Berkeley Square E majE maj03 03 AffirmationAffirmation D majD maj0404 After the rainAfter the rain A majA maj0505 All my tomorrowsAll my tomorrows G majG maj0606 Amor de loca juventudAmor de loca juventud A majA maj0707 AvalonAvalon F majF maj0808 AzzurroAzzurro C minC min0909 Baby, won't you please come home?Baby, won't you please come home? B majB maj1010 Back at the Chicken ShackBack at the Chicken Shack F majF maj1111 Bess, you is my woman (abridged version)Bess, you is my woman (abridged version) D minD min1212 Black and blueBlack and blue C majC maj1313 BoplicityBoplicity F majF maj1414 Bourbon Street paradeBourbon Street parade G majG maj1515 CaminitoCaminito E majE maj1616 Chatanooga choo-chooChatanooga choo-choo C majC maj1717 Che saràChe sarà C majC maj1818 Come primaCome prima D majD maj1919 Compared to whatCompared to what F majF maj2020 Crystal silenceCrystal silence B majB maj2121 Cucurrucucú palomaCucurrucucú paloma C majC maj2222 DaahoudDaahoud E majE maj2323 Dear old Stockholm (folk version)Dear old Stockholm (folk version) F majF maj
- (usual version) - (usual version) F majF maj2424 DinahDinah A majA maj2525 E la chiamano estateE la chiamano estate E majE maj2626 El breve espacio en que no estásEl breve espacio en que no estás G majG maj2727 EncadenadosEncadenados A minA min2828 Falsa baianaFalsa baiana G majG maj2929 Fascinating rhythmFascinating rhythm E majE maj3030 FavelaFavela G minG min3131 Feels like making loveFeels like making love E majE maj3232 502 blues502 blues E minE min3333 Flor de azaleaFlor de azalea G minG min
Índice (página 2)Índice (página 2)Índice (página 1)Índice (página 1)
55
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
6767 Paris bluesParis blues E minE min6868 Parole paroleParole parole F minF min6969 Piel canelaPiel canela F majF maj7070 Quando quando quandoQuando quando quando G majG maj7171 ¿Qué dirías de mí?¿Qué dirías de mí? F majF maj7272 Rata de dos patasRata de dos patas C majC maj7373 Sapore di saleSapore di sale C majC maj7474 Satellite of loveSatellite of love F majF maj75 75 Say it isn't soSay it isn't so B majB maj7676 Shaw 'nuffShaw 'nuff B majB maj7777 S'il vous plaitS'il vous plait C majC maj7878 SomewhereSomewhere E majE maj7979 SoonSoon E majE maj8080 Spring can really hang you up the mostSpring can really hang you up the most C majC maj8181 Strangers in the nightStrangers in the night F majF maj8282 Subconscious-LeeSubconscious-Lee C majC maj8383 Tango negroTango negro D majD maj8484 Thanks for the memoryThanks for the memory F majF maj8585 (The) Blue room(The) Blue room F majF maj8686 The continentalThe continental A majA maj8787 The night we called it a dayThe night we called it a day G majG maj8888 The song is youThe song is you C majC maj8989 The things we did last summerThe things we did last summer G majG maj9090 This can't be loveThis can't be love G majG maj9191 Time on my handsTime on my hands F majF maj9292 TopsyTopsy A minA min9393 Un santo varónUn santo varón F majF maj9494 UndecidedUndecided C majC maj9595 Until the real thing comes alongUntil the real thing comes along E majE maj9696 Voçe abusouVoçe abusou G majG maj9797 What kind of fool am I?What kind of fool am I? E majE maj9898 Where are youWhere are you G majG maj9999 Who can I turn to?Who can I turn to? E majE maj100100 You make me feel so youngYou make me feel so young B majB maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
0101 A kiss to build a dream onA kiss to build a dream on C majC maj0202 A nightingale sang in Berkeley SquareA nightingale sang in Berkeley Square E majE maj03 03 AffirmationAffirmation D majD maj0404 After the rainAfter the rain A majA maj0505 All my tomorrowsAll my tomorrows G majG maj0606 Amor de loca juventudAmor de loca juventud A majA maj0707 AvalonAvalon F majF maj0808 AzzurroAzzurro C minC min0909 Baby, won't you please come home?Baby, won't you please come home? B majB maj1010 Back at the Chicken ShackBack at the Chicken Shack F majF maj1111 Bess, you is my woman (abridged version)Bess, you is my woman (abridged version) D minD min1212 Black and blueBlack and blue C majC maj1313 BoplicityBoplicity F majF maj1414 Bourbon Street paradeBourbon Street parade G majG maj1515 CaminitoCaminito E majE maj1616 Chatanooga choo-chooChatanooga choo-choo C majC maj1717 Che saràChe sarà C majC maj1818 Come primaCome prima D majD maj1919 Compared to whatCompared to what F majF maj2020 Crystal silenceCrystal silence B majB maj2121 Cucurrucucú palomaCucurrucucú paloma C majC maj2222 DaahoudDaahoud E majE maj2323 Dear old Stockholm (folk version)Dear old Stockholm (folk version) F majF maj
- (usual version) - (usual version) F majF maj2424 DinahDinah A majA maj2525 E la chiamano estateE la chiamano estate E majE maj2626 El breve espacio en que no estásEl breve espacio en que no estás G majG maj2727 EncadenadosEncadenados A minA min2828 Falsa baianaFalsa baiana G majG maj2929 Fascinating rhythmFascinating rhythm E majE maj3030 FavelaFavela G minG min3131 Feels like making loveFeels like making love E majE maj3232 502 blues502 blues E minE min3333 Flor de azaleaFlor de azalea G minG min
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3434 Full houseFull house F minF min3535 Házmelo otra vezHázmelo otra vez B majB maj3636 (I don't stand) A ghost of a chance (with you)(I don't stand) A ghost of a chance (with you) C majC maj3737 I wan'na be like youI wan'na be like you E majE maj3838 Il mondoIl mondo D majD maj3939 (I'm) Confessin' (that I love you)(I'm) Confessin' (that I love you) G majG maj4040 I'm glad there's youI'm glad there's you F majF maj4141 I'm still hereI'm still here G majG maj4242 I'm through with loveI'm through with love F majF maj4343 Keepin' out of mischief nowKeepin' out of mischief now C majC maj4444 La belle vie (The good life)La belle vie (The good life) F majF maj4545 La chanson des vieux amantsLa chanson des vieux amants C minC min4646 La javaneseLa javanese A majA maj4747 Layla (original version)Layla (original version) F minF min
- (MTV Unplugged version) - (MTV Unplugged version) D minD min4848 Let them talkLet them talk C majC maj4949 Let's face the music and danceLet's face the music and dance C majC maj5050 Little MelonaeLittle Melonae B majB maj5151 Loss of loveLoss of love E minE min5252 Louisiana fairytaleLouisiana fairytale C majC maj5353 Love theme from Romeo and Juliet (A time for us)Love theme from Romeo and Juliet (A time for us) G minG min5454 Mama told me not to comeMama told me not to come G majG maj5555 Miss Otis regretsMiss Otis regrets E majE maj5656 Mon homme (My man)Mon homme (My man) G majG maj5757 Monk's moodMonk's mood D majD maj5858 Moose the moocheMoose the mooche B majB maj5959 MumblesMumbles E majE maj6060 My man's gone nowMy man's gone now E minE min6161 Never can say goodbyeNever can say goodbye C majC maj6262 New OrleansNew Orleans C majC maj6363 9:20 special9:20 special C majC maj6464 Nocturne #13 (Arrangement: The Jam-Tonic)Nocturne #13 (Arrangement: The Jam-Tonic) C minC min6565 NosotrosNosotros C majC maj6666 Only youOnly you G majG maj
Índice (página 2)Índice (página 2)
6655
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
3434 Full houseFull house F minF min3535 Házmelo otra vezHázmelo otra vez B majB maj3636 (I don't stand) A ghost of a chance (with you)(I don't stand) A ghost of a chance (with you) C majC maj3737 I wan'na be like youI wan'na be like you E majE maj3838 Il mondoIl mondo D majD maj3939 (I'm) Confessin' (that I love you)(I'm) Confessin' (that I love you) G majG maj4040 I'm glad there's youI'm glad there's you F majF maj4141 I'm still hereI'm still here G majG maj4242 I'm through with loveI'm through with love F majF maj4343 Keepin' out of mischief nowKeepin' out of mischief now C majC maj4444 La belle vie (The good life)La belle vie (The good life) F majF maj4545 La chanson des vieux amantsLa chanson des vieux amants C minC min4646 La javaneseLa javanese A majA maj4747 Layla (original version)Layla (original version) F minF min
- (MTV Unplugged version) - (MTV Unplugged version) D minD min4848 Let them talkLet them talk C majC maj4949 Let's face the music and danceLet's face the music and dance C majC maj5050 Little MelonaeLittle Melonae B majB maj5151 Loss of loveLoss of love E minE min5252 Louisiana fairytaleLouisiana fairytale C majC maj5353 Love theme from Romeo and Juliet (A time for us)Love theme from Romeo and Juliet (A time for us) G minG min5454 Mama told me not to comeMama told me not to come G majG maj5555 Miss Otis regretsMiss Otis regrets E majE maj5656 Mon homme (My man)Mon homme (My man) G majG maj5757 Monk's moodMonk's mood D majD maj5858 Moose the moocheMoose the mooche B majB maj5959 MumblesMumbles E majE maj6060 My man's gone nowMy man's gone now E minE min6161 Never can say goodbyeNever can say goodbye C majC maj6262 New OrleansNew Orleans C majC maj6363 9:20 special9:20 special C majC maj6464 Nocturne #13 (Arrangement: The Jam-Tonic)Nocturne #13 (Arrangement: The Jam-Tonic) C minC min6565 NosotrosNosotros C majC maj6666 Only youOnly you G majG maj
TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------
6767 Paris bluesParis blues E minE min6868 Parole paroleParole parole F minF min6969 Piel canelaPiel canela F majF maj7070 Quando quando quandoQuando quando quando G majG maj7171 ¿Qué dirías de mí?¿Qué dirías de mí? F majF maj7272 Rata de dos patasRata de dos patas C majC maj7373 Sapore di saleSapore di sale C majC maj7474 Satellite of loveSatellite of love F majF maj75 75 Say it isn't soSay it isn't so B majB maj7676 Shaw 'nuffShaw 'nuff B majB maj7777 S'il vous plaitS'il vous plait C majC maj7878 SomewhereSomewhere E majE maj7979 SoonSoon E majE maj8080 Spring can really hang you up the mostSpring can really hang you up the most C majC maj8181 Strangers in the nightStrangers in the night F majF maj8282 Subconscious-LeeSubconscious-Lee C majC maj8383 Tango negroTango negro D majD maj8484 Thanks for the memoryThanks for the memory F majF maj8585 (The) Blue room(The) Blue room F majF maj8686 The continentalThe continental A majA maj8787 The night we called it a dayThe night we called it a day G majG maj8888 The song is youThe song is you C majC maj8989 The things we did last summerThe things we did last summer G majG maj9090 This can't be loveThis can't be love G majG maj9191 Time on my handsTime on my hands F majF maj9292 TopsyTopsy A minA min9393 Un santo varónUn santo varón F majF maj9494 UndecidedUndecided C majC maj9595 Until the real thing comes alongUntil the real thing comes along E majE maj9696 Voçe abusouVoçe abusou G majG maj9797 What kind of fool am I?What kind of fool am I? E majE maj9898 Where are youWhere are you G majG maj9999 Who can I turn to?Who can I turn to? E majE maj100100 You make me feel so youngYou make me feel so young B majB maj
Índice (página 3)Índice (página 3)Índice (página 2)Índice (página 2)
CCFF--CCGG
DD
GG
GG
GG
EE
CC
EEmmaajj
GG--
DD
DD
DD--
AA--
BB
CC
FF--
GG
DD--GGDDGG
EEEE--
CC--
EE
DD--GG
EEmmaajj
DD--
GG
CC
FF--
DD
BBFF--
GG
DDGGDDDD--
GGDD--
DDGG
AA--CCGG
DDDD--
EEEE--DD--CC
DD--GG
EEEE--
DDGG
DD--CC
44
2929
AA2525
2121
1717BB
1313
B. Kalmar, H. Ruby & O. Hammerstein II B. Kalmar, H. Ruby & O. Hammerstein II
99
AA
01 A kiss to build a dream on01 A kiss to build a dream on
55
AA
EEBB--GG--CC--EEBBFF--CC--EE
BBFF--CC--EEDDAA--EEFF--EE
BB
AA--
FF--
CC--GG
CC
DD--
GG--
AAmmaajj
CC--GGFF--EEmmaajj
EEBB--
EE
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DD--
EE
AA--FF--CC--EEmmaajj
EEmmaajj
EE
BBFF--
BBEEmmaajj
EEmmaajj
AA--FF--
BBFF--
CC--EEmmaajj
33
33
33
33
33
33
44
(A: 10 mm.)(A: 10 mm.)
AA
2525
2121
1313
AA
(A: 10 mm.)(A: 10 mm.)
1717
99
55
E. Maschwitz & M. SherwinE. Maschwitz & M. Sherwin
VerseVerse
02 A nightingale sang in Berkeley Square02 A nightingale sang in Berkeley Square
EEAAmmaajjEEBBFF--CC--EE
BBFF--CC--EEBBFF--CC--EE
AA--
BB
CC--
FF--
BB
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CC--EE
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3333
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( )( )
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(A: 10 mm.)(A: 10 mm.)
4545
4949
4141
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2929
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EE--
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44
1717
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77
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55
33
José FelicianoJosé Feliciano
AA
03 Affirmation03 Affirmation
BB--
AABBmmaajj
CC
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EE--
DDAA--
FF
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(vamp)(vamp)N.B.: The Coda can be used also between solos.N.B.: The Coda can be used also between solos.
4141
3737
2929
CC3333
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2323
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AAmmaajjDDmmaajj//AA
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34
2525
2121
(piano fill______________________________)(piano fill______________________________)
(piano fill______________________________)(piano fill______________________________)
1313
BB1717
99
(bass and piano l.h. tremolo during A)(bass and piano l.h. tremolo during A)
55
AA
John ColtraneJohn Coltrane
IntroIntro
04 After the rain04 After the rain
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33
3333
33
33
33
5353
4949
4141
4545
3737
Play head twice before solosPlay head twice before solosand once after solos (and go to Coda)and once after solos (and go to Coda)
( )( )
3333
Open for solosOpen for solos
2929
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44
( )( )( )( )
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S. Cahn & J. Van HeusenS. Cahn & J. Van Heusen
99
A1A1
05 All my tomorrows05 All my tomorrows
55
A1A1
EEFF--CC--//GGAAmmaajj
FF
AABB
EE
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AA//EE
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CC
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BB//DDDDmmaajj
FF
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44
( )( )2929
CC2525
2121
1717
AA
1313
Rafael OrtizRafael Ortiz
99BB
06 Amor de loca juventud06 Amor de loca juventud
55
AA
CCGG--FF
DD
EE
AA--
BB--
DD
CCGG--
FF
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AA--
FF
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DDAA--
CC
CC
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GG--44
( )( )( )( )
2929
CC2525
2121
1717A2A2
1313
V. Rose, A. Jolson & B.G. de SilvaV. Rose, A. Jolson & B.G. de Silva
99
BB
07 Avalon07 Avalon
55
A1A1
CCGGDD--CC
GGDD--
CCCC
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GG
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AA
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CC
CC
FF--CCFF--
CCCC--
GG
GGCC--
CC--GGCC--
CCFF--CCFF--
GGCC--
GGCC--GG
GGCC--
CC--
44
N.B.: Play Intro every time. In Paolo Conte's version m. 32 is only played the last time (D.C. in m. 31). N.B.: Play Intro every time. In Paolo Conte's version m. 32 is only played the last time (D.C. in m. 31).
2929
2525
2121
1717
BB
1313
V. Pallavicini & P. ConteV. Pallavicini & P. Conte
99
(vcls.)(vcls.)
08 Azzurro08 Azzurro
(sample bass line)(sample bass line)
55
AA
IntroIntro
FFBBFFCC
DD
FF
CC
FF
GG
EE
CC
GG--
CCGG--
CC
GGBB//FFEEEEmmaajj
GG
GG--
FF
GG
FF
DD
DD
FFFF
BB
CC
BB
GG--
EEBB
FF
FFCC
CCGG--
DDBB
FFCCDDBB
DDGG--
FFCC
DDBB
DDBB
33
44
( )( )2929
BB2525
2121
1717AA
1313
C. Williams & C. WarfieldC. Williams & C. Warfield
99
55
09 Baby, won't you please come home09 Baby, won't you please come homeIntroIntro
CCDDDDFF
FF
BBCC
FF
BB
33
44
( )( )( )( )
Jimmy SmithJimmy Smith
99
55
10 Back at the Chicken Shack10 Back at the Chicken Shack
AA
EE--EEmmaajjDD--BB//DDFF//CCBBmmaajj
CC
FF
AA//EE
GG--
CCGG--FF--
DDmmaajj
FFmmaajj
GG--//DDBB//DD
FFDDAABB//DDEE
GG
BB
FF//CC
BB--//AABB--
FFmmaajj//AA
BBmmaajj
EE--GG--//FFGG--
EE--EEmmaajjDD--BB//DDFF//CCBBmmaajj
3333
44
AA2121
1717
CC1313
99
BB
55
G. Gershwin, I. Gershwin & D.B. HeywardG. Gershwin, I. Gershwin & D.B. Heyward
AA
(abridged version)(abridged version)11 Bess, you is my woman11 Bess, you is my woman
FFCCGG--FF--DD--AADD
GG--
EE--GGmmaajj
DD
DD//FF
DDmmaajj
DDmmaajj
BBBB--FF//CCBB--//DD
EE--
CCmmaajjAA
GGmmaajjDD//FF
DDmmaajj
DDmmaajj
AA//EEDD//FFAA//GGDD//AA
AA//EEGG--//DDBB//DD
FFDDAABB//DDEE
FF//CCBBmmaajj
EE--GG--//FFGG--
3333
( )( )( )( )
4545
4141
3737
3333
DD
2929
BB
2525
EEBB--CCFFCCmmaajj
EEBB--
CCEE--
CC
DD
FF
AA--
CC
FF
DD--CC
CCmmaajj
GGDD--AACC
DD--
GGDD--
AA--
AA
AA
AA
CC
DDAA--
EEBB--
DD
CCmmaajj
AA--
DD--AA--
GGDD--
DD--
AACC
AA--
44
( )( )2929
2525
A2A2
2121
1717
BB
1313
T. Waller, H. Brooks & A. RazafT. Waller, H. Brooks & A. Razaf
99A2A2
12 Black and blue12 Black and blue
55
A1A1
FF
FFmmaajj
FF
CC
FFmmaajj
GG--
GG--//CC
CC--
GG--
FFmmaajj
GG--//CC
AAmmaajj
GG--
BBmmaajj
GG--//CC
CC
GG--//CC
GG--
AA
BB
BB--
GG--//CC
CC--
FFmmaajj
BBmmaajj
GG--
EE
FF
BB--
BBmmaajj
CC--
FFCC--FFmmaajj
FFmmaajj
FF
GG--//CCGG--
CC--FFmmaajj
CCGG--FFmmaajjGG--
GG--//CC
CCGG--
BBmmaajj
FFmmaajjGG--
33
33
33
33
33
33
33
33
33
33
33
33
33
44
N.B.: In the original version, piano tacet during heads.N.B.: In the original version, piano tacet during heads.
3333
2929
AA2525
2121
1313
BB1717
M. Davis & G. EvansM. Davis & G. Evans
99
AA
13 Boplicity13 Boplicity
55
AA
DD
EE
GG
GG//DD
DD
CCmmaajj
GGGG
DD
CC
AA
CCmmaajj
GGGG
GG
DD
DD
DDGG
GG
33
33
44
( )( )3333
2929
CC
2525
2121
A2A2
BB1313
1717
Paul BarbarinPaul Barbarin
99
14 Bourbon Street parade14 Bourbon Street parade
A1A155
IntroIntro
CC
EE--BBEE
EEmmaajj
CC--
CC
CC
CC--
EE
EE
EEBBEE
GG--
BB
EEmmaajj
BB
FF--
FF--
BB
BB
FF--
FF--
BB
CC--
EE--
BB
EE
GGmmaajj
FF--
FF--
BB
DD
FF--
AA--
AA--
BBCCBBCC
EE
FF
AA--EEAA--
EE--
EE
BB
EE--
BB//FF
EE--((mmaajj))
AA--//GG
EE--
AA--
EE--
CC
EE--((mmaajj))EE--
EE
44
( )( )
(instr.)(instr.)
(vcls.)(vcls.)
(3 mm.)(3 mm.)
3737
(C2: 7 mm.)(C2: 7 mm.)
3333
C2C2
2929
2525
C1C1
2121
1313
1717
BB
(vcls.)(vcls.)
J.D. Filiberto & G. Coria PeñalozaJ.D. Filiberto & G. Coria Peñaloza
A2A2
99
15 Caminito15 Caminito
55A1A1
(instr.)(instr.)IntroIntro
CCDDGGDDFF//CCBBBB
FFCC--FFCCFFCCGG--FFCCFF
CCCCCC
CC
GGDD--
CC
GGDD--
CC
CC
44
2525
2121
B1B1
AA1313
1717
99
55
H. Warren & M. GordonH. Warren & M. Gordon
AA
16 Chattanooga choo-choo16 Chattanooga choo-choo
IntroIntro
CCGGCCDD--//GGDD//AAAA--CC//BB
CCGGDD--DDAA--CC
AA
CC
FFmmaajjCCCC
GGDD--
CC
CC
CC
GGFFCCGGGG
FFCC--FFCCFF
DDFF//CCBBBB
CCGG--FFCCFF
Last time to CodaLast time to Coda
5757
CodaCoda
5353
4545
CC4949
4141
AA
3737
3333
2929
B2B2
FF CCCCGGDD--AA--EE--GGFF
CCGGFF
GGCC
CC
GGFFmmaajj
GGFF
EE--CC
AA--EE--
CCGG
GGFF
CC
33
44
N.B.: The original version, by J. Feliciano & Ricchi e Poveri, plays 3rd head in D and then repeats B in D.N.B.: The original version, by J. Feliciano & Ricchi e Poveri, plays 3rd head in D and then repeats B in D.
1313
E. Sbriccoli, C.Pes & F. MigliacciE. Sbriccoli, C.Pes & F. Migliacci
99
BB
(Paese mio)(Paese mio)17 Che sarà17 Che sarà
55
AA
DD
AA
BB GG--CC
EE--BB--
DD
DD
EEBB--
BB
AAGG--
FF--//AA
EE--
EE--
AA
AA
EE--
EE--
BB--
BB--
DD
DD
FF
AA
EE
BB--
EE--
AA
BB--
DD
EE--
DD
EE--
BBFF--//AA
AA
BB--DD
AA
128
( )( )( )( )
1717
1515
1313CC
1111
77
AA99
M. Panzieri, V. Di Paola & S. TaccaniM. Panzieri, V. Di Paola & S. Taccani
55
BB
18 Come prima18 Come prima
33
AA
CC
BBBB
GG
FF
GGAA--//GGGG
AA
FFGG--//FFFF
FFFFGG--//FFFF
GGGG
FFFF
AA--//GGGG
AA
GG--//FFFF
FFFFGG--//FFFF
FFDD--EEEE--
N.C.N.C.
8881644
cresc.cresc.
6565
6161
5353
5757
4949
(sax solo)(sax solo)
4545
(piano solo)(piano solo)
Eugene McDanielsEugene McDaniels
55
(bass & piano)(bass & piano)
00
(Les McCann & Eddie Harris' version)(Les McCann & Eddie Harris' version)
19 Compared to what19 Compared to what
IntroIntro
FFBB//FFFF
N.C.N.C.FFBB//FFFFBB//CCFF
N.C.N.C.
BB//CCFF
BB//CC
N.C.N.C.
FFBB//CC
FFBB//FF
FF
FF
N.C.N.C.FFBB//FFFF
BB//CCFFBB//CCFF
BB//CCFFBB//CCFF
BB//CCFF
BB//CCFF
FF
FF
BB//CCFFBB//CCFF
BB//CCFF
BB//CCFF
FF
FF
BB//CCFFBB//CCFF
9898
9494
CodaCoda
After solo, D.S. on 1st, 2nd & 3rd headAfter solo, D.S. on 1st, 2nd & 3rd headD.S.S. on 4th headD.S.S. on 4th head
go to Coda on 5th headgo to Coda on 5th head
Open for solosOpen for solos
8989
9393
8585
8181
7777
7373
AA
(groove)(groove)
6969
BB--
BBmmaajjAA--
FFmmaajj
EE
EEBB
FF--
AA--
BBmmaajj
DD--
GG
EEDDCCBB--AA--
EE--
BBmmaajj
AA--
GG--
FFmmaajj
AA--
AA--
EE
CCmmaajj
DDmmaajj
BBmmaajj
DD--
BB--FFmmaajj
BBmmaajj
BBmmaajj
AA--
BB--
EE--AA--
EEDDCCBB--
FFmmaajjEE--
AA--
AA--
33
33
33
33
33
33
3333
44
( )( )(6 mm.)(6 mm.)
3636
(A3: 10 mm.)(A3: 10 mm.)
3232
A3A3
2828
2424
BB
(6 mm.)(6 mm.)
1414
1818
Chick CoreaChick Corea
(A2: 14 mm.)(A2: 14 mm.)
1010
A2A2
20 Crystal silence20 Crystal silence
66
(A1: 9 mm.) (5 mm.)(A1: 9 mm.) (5 mm.)
A1A1
CC
FF
GG
GG
CC
DD--
DD--
CC
N.C.N.C.GG
CC
GG
CC
CC
GG
CC
CC
FFmmaajj
CCCCmmaajj
GG
FF
CC
GGDD--//GGCC
GG
FFmmaajj
CCmmaajj
GG
FF
CC
68
a tempoa tempoad lib.ad lib.
4646
(6 mm.)(6 mm.)
4242
3636
(6 mm.)(6 mm.)
3030
(6 mm.)(6 mm.)
BB
(5 mm.)(5 mm.)
(6 mm.)(6 mm.)
2424
1313
BB1818
Tomás MéndezTomás Méndez
99
21 Cucurrucucú, paloma21 Cucurrucucú, paloma
(A: 17 mm.)(A: 17 mm.)
55
AA
EEmmaajj
N.C.N.C.BBBBCC--
DD
BB
N.C.N.C.
AA--EEmmaajj
FF--
BB
CCmmaajj
AAmmaajj
GGmmaajj
AAEE--
N.C.N.C.
GGmmaajj
BBCC
GGDD--
EE
DD
EE--
AAEE--
BB--
AA--
EEmmaajj
BB
N.C.N.C.
BBFF--
FF--
BB
CCmmaajj
EEmmaajj
CCmmaajjGG
BBCCEE--
GG
BB
DD--
CC
DD--AAEE--
AAEE--
EE--
N.C.N.C.BB
44
D.C. (*)D.C. (*)
(drum fill______________________)(drum fill______________________)
(* Solos on AABA, play C only after heads.)(* Solos on AABA, play C only after heads.)
3737
CC3333
2929
2525
AA
(Rh. Sec. follows lead during heads)(Rh. Sec. follows lead during heads)
2121
1313
BB1717
Clifford BrownClifford Brown
AA99
22 Daahoud22 Daahoud
55
AA
DD--AAEE--
FFmmaajj
AAEE--
DD--
DD--
DD--
AA
FFmmaajj
EE--
DD--AAEE--
AA
CCGG--
DD--
DD--DD--
DD--
AA
FFmmaajj
EE--
FFmmaajjDD--
AA
FFmmaajj
EE--
DD--
AADD--DD--
DD--
AA
AAEE--
DD--
44
( )( )N.B.: Although most versions follow Miles' arrangement, others like Stan Getz's N.B.: Although most versions follow Miles' arrangement, others like Stan Getz's
are closer to the original structure and melody, as presented here.are closer to the original structure and melody, as presented here.
2525
2121AA
1717
BB
99
1313
TraditionalTraditional
AA
55
(Värmlandsvisan, folk version)(Värmlandsvisan, folk version)23 Dear old Stockholm23 Dear old Stockholm
00
AA
DD--DD--DD--DD--
AAEE--BB--DD--AAEE--
FFmmaajj
DD--
CC
DD--
DD--
AAEE--
AAEE--
DD--DD--
DD--
BB--DD--AAEE--
FFmmaajjCCDD--
DD--DD--
AAEE--DD--
DD--DD--
44
2525
2121
1313
A1A11717
99
A1A155
TraditionalTraditional(Värmlandsvisan, usual version)(Värmlandsvisan, usual version)
23 Dear old Stockholm23 Dear old Stockholm
IntroIntro
DD--DD--AACCCC
CC
N.C.N.C.DD--
DD--
AA
CC
CC
AAEE--
FFmmaajjCCDD--
AAGG--DD--FFmmaajj
AAEE--DD--
CCGG--DD--FFmmaajj
4848
(solo break___________________________)(solo break___________________________)(3 mm.)(3 mm.)
4545
4141
3737
(A2: 15 mm.)(A2: 15 mm.)
A2A23333
BB2929
EEAADDAA
BB
EE
CC
CC
FF--//DD
AA
AAmmaajj//CC
BB--
DDAA
FF--//EE
EEBB--
BB
FF--//EE
EE
AAmmaajj
FF--
FF--
BB--
BBAAmmaajj//CC
EE
BB
BB--CCAA
AAmmaajj//CC
AAmmaajj
EEBB--
AAmmaajj
44
( )( )2929
2525
A2A2
2121
1717BB
1313
S.M. Lewis, J. Young & H. AkstS.M. Lewis, J. Young & H. Akst
99A2A2
24 Dinah24 Dinah
55
A1A1
CCEEmmaajj
CC
CC
CCEEmmaajj
GG--
CC
CC--DD
EEmmaajj
DD--
BB
DD
AA
FF--
BB
EE--
BB
FFmmaajj
CC
DDEEmmaajj
EEmmaajj
CC
BB
BB
CC
33
33
33
3333
33
33
3333
44
( )( )( )( )
2929
CC2525
2121
1717
A2A2
1313
F. Califano, L. Zanin & B. MartinoF. Califano, L. Zanin & B. Martino
99
BB
25 E la chiamano estate25 E la chiamano estate
55
A1A1
DD
GGmmaajj
AA--EE--
DDAA--
BB--
DDAA
DD
DD
BB--
AA--
CCmmaajjGGmmaajj
DD
FF
EE--
BB--
AA--
BB--
FF
DD
GGmmaajj
AA--
CCmmaajj
CCmmaajj
GGmmaajjGGmmaajj
GGmmaajj
DDAA--GGmmaajjCCmmaajj
GGmmaajj
DD
BB--
DD
AA--
DD
GGmmaajj
AA--
CCmmaajj
CCmmaajj
EE
GGmmaajj
EE--
DDAACCmmaajjGGmmaajj
DDAA--
DDAA
EE--BB--
CCmmaajjGGmmaajjDD
DDAA--GGmmaajjCCmmaajjGGmmaajj
DDAA--
AA--GGmmaajjCCmmaajj
CCmmaajjGGmmaajj
GGmmaajj
33
442444
44
Last time to CodaLast time to Coda
3333
CodaCoda
2929
2525
AA
2121
1313
BB1717
Pablo MilanésPablo Milanés
AA99
55
26 El breve espacio en que no estás26 El breve espacio en que no estás
AA
AA--EEBB
AA--
EE
AA--
CCmmaajj
EEDD--
BB
EE
GG
BB
AA--EEDD--
AA--
AA--
AA--
CCmmaajj
EE
EE
DD--
DD--
EE
GG
DD--
AA--EEDD--
EE
AA--
BB
EEDD--
AA--EEDD--
AA--
AA--EE
EEDD--
DD--
44
( )( )2929
2525
A2A2
2121
1717BB
1313
Carlos Arturo BrizCarlos Arturo Briz
99
A2A2
27 Encadenados27 Encadenados
55
A1A1
EEGGDDAA--AAAA
EEBB--CCCCmmaajj
DD
AA
GGGGmmaajj
AA
GG
EEBB--
GG
DD
DDAA--
GGmmaajj
AA--
AAAA
CCCCmmaajj
GGGGmmaajj
AAAA
DDAA--
GGGGmmaajj
44
2929
2525
AA1717
2121
1313
99
Geraldo PereiraGeraldo Pereira
55
28 Falsa baiana28 Falsa baiana
AA
DDGGDDAA--AAAA
EEBB--
GGGGmmaajj
EEGG
CC--
DD
CCmmaajj
AA--
DDAA--
( )( )( )( )
4545
4141
3737
3333
BB
EEBB--EEBB--EEBB--EEBB--
BB
BB
FF--
EE
BB
FF
FF--
FFBB--//FF
EE--BBEE--//BB
EE--//GG
BB
BB--//GG
FF--BB
GGBB--//GGBB--//AA
BB--//AABB--
FF--
BB--
CCEE--//CCEE--//DDEE--
AAAAEE--//BBCCEE--//CCEE--//DDEE--
44
2121
1717
AA
1313
99
55
G. Gershwin & I. GershwinG. Gershwin & I. Gershwin29 Fascinating rhythm29 Fascinating rhythm
VerseVerse
CCGG--EEBBFF--BBFF--
EEBB--
FF
BBFF--
EEBB--
CC--
BBFF--
EE
BB
BB--
FF--
BBFF--
EEBB--
AA
BBFF--
BBBB
GGDD--EE
FFCC--
BBFF--AA
( )( )
4545
4141
3737
CC
3333
AA
2929
BB2525
BBBBmmaajjFF
CC--GG--FF//GGGG--
FF//GG
GG--
GG--
BBBBmmaajj
FF//GGGG--
FF//GG
EE--EE--
GG--
FFCC--
GG--
FF//GGGG--
FF//GGGG--
FF//GGGG--
44
2626
2121
1313
AA1717
99
55
A.C. Jobim & V. de MoraesA.C. Jobim & V. de Moraes
AA
(O morro não tem vez)(O morro não tem vez)30 Favela30 Favela
FF//GGGG--FF//GGGG--EE--EE--
BBBBmmaajjFFCC--
FF//GG
GG--
GG--
CCDD
FF//GG
FF//GG
GG--
GG--
EEGG--CC--
GG--CC--
GG--
GG--CC--
FF//GGGG--EE--EE--
( )( )( )( )
N.B.: Many versions (instrumental ones mainly) play only ABA.N.B.: Many versions (instrumental ones mainly) play only ABA.
5353
4949
4141
4545
AA
3737
3333
BB
2929
FFEEEECCDDGG--AAmmaajj
CC--FF--
AA
CCDD
EEmmaajj
EEmmaajj
GG--AAmmaajj
BB
BB
FF--
FF--
44
(B2: 5 mm.)(B2: 5 mm.)
B2B21313
Eugene McDanielsEugene McDaniels
99
B1B1
31 Feel like makin' love31 Feel like makin' love
55A2A2
A1A1
EE--
DDN.C.N.C.
EE
EE
AA--AA--N.C.N.C.
BB--
EEmmaajj
BB--
BBFF--
BBmmaajjFF
DDmmaajj
BB
DDmmaajj
CC--
AA--
AA--
FF--
DDN.C.N.C.AA--AA--N.C.N.C.
EE
EE
BB--
BB--
BBmmaajjFFCC--
DDmmaajj
DDmmaajj
AA--
AA--
44
3333
33
33
33
44
33
33
33
33
33
33
33
34
( )( )2929
2525
2121
1717
A2A2
1313
Jimmy RowlesJimmy Rowles
99
(Drinkin' and drivin')(Drinkin' and drivin')32 502 blues32 502 blues
55
A1A1
CC--GGGG--GG--
DDAA--
GGGG--
GG--
CC--
DDDD
CC--
GGGG--GG--
N.C.N.C.GG--GG--
CC--GG
DD
GG--GG--
44
2424
AA
2020
(vcls.)(vcls.)
1212
B1B11616
88
AA
44
M. Esperón & Z. GómezM. Esperón & Z. Gómez
(instr.)(instr.)
33 Flor de azalea33 Flor de azalea
IntroIntro
N.C.N.C.GG--GG--DDAA--
GG--CC--
GGBBmmaajjBB
BB
GG--
FF
FF
CC--
CC--
DDAA--
GG--
GGGG--
CC--
DDDD
33
( )( )( )( )
5252
4848
B2B2
4040
4444
CC
3636
3232
B2B2
2828
CC
BB
BB
BB
FF--
FF--
FF--
FF--
FF--
BB
BB
BB
BB
BB
FF--
FF--
FF--
FF--
FF--
FF--
FF--
FF--
FF--
34
AA5757
6161
6565
6969
5353
4949
BB
4545
1717
2121
2525
2929
AA3333
AA
1313
99
4141
3737Wes MontgomeryWes Montgomery
55
34 Full house34 Full houseIntroIntro
BB
CC
BB
CC
FF--
FF--
GG--
DDAAmmaajj
FF--
BB
CCFF--
FF--
FF--
BB
BB
BB
BB
CCmmaajj
FF--
FF--
FF--
FF--
GGmmaajj
EEBB--
BB
FF--BB
FF--
FF--
BBFF--
( )( )
AA5757
6161
6565
6969
5353
4949
BB
4545
4141
3737
FF--BBFF--BBFF--
FF--
FF--
FF--BB
FF--
FF--
FF--
(vamp)(vamp)
9393
8989
8585
8181
7777
7373
FFCC--BBmmaajj
BB
FF
FF
GGDD--
FF--
CC--
FF
FFCC--
EE--
FF
DDDD--
CC
EEmmaajj
CC--
CC--
GG--
BBmmaajj
EEmmaajj
FF
BBmmaajj
CC--
BBFF--
FF
DDDD--CC--
CC--
BBmmaajj
44
( )( )2929
CC2525
2121
1717
A2A2
1313
Concha Valdés MirandaConcha Valdés Miranda
99BB
35 Házmelo otra vez35 Házmelo otra vez
55
A1A1
GGDD--CCCCmmaajj
BBFF--
GGDD--
AA
AA--
EE--
CCmmaajj
CC
AA
GG--
EE--
GG
CCmmaajj
DD--
BBCCmmaajj
CCmmaajj
GGDD--EEEE--
DD
BB
GG
GG
DD--
CCmmaajj
FF--
EE
DD--
EE--
BBFF--CCGG--
GGDD--
BBFF--
AAEE--
CCGG--
DDCCmmaajj
GGDD--
DD
EEEE--
CCmmaajj
33
33
33
33
33
33
33
44
( )( )( )( )
2929
A2A22525
2121
1717
BB
1313
V. Young, B. Crosby & N. WashingtonV. Young, B. Crosby & N. Washington
99
A2A2
55
A1A1
36 (I don't stand) A ghost of a chance (with you)36 (I don't stand) A ghost of a chance (with you)
GGEE
CC
BB
BB
GG
CC--
EE
CC
BBFF
EE
BBFF
EE
CC--
GG
GGCC--
GG
GG
CC--
CC--
33
44
( )( )( )( )
3333
2929
B2B2
2525
2121
B1B1
AA1313
1717
( )( )
Robert Sherman & Richard ShermanRobert Sherman & Richard Sherman
99
37 I wan'na be like you37 I wan'na be like you
55
AA
IntroIntro
GGCC
AA--
GGFF
CC
GG
AA--
FF
GG
CC
FF
FF
CC
GG
AA--
FF
CC
44
2727
B2B22323
(3 mm.)(3 mm.)
B1B11515
1919
1212
(A: 6 mm.) (3 mm.)(A: 6 mm.) (3 mm.)
99
AA
55
E. Sbriccoli, I.N. Greco, C. Pes & G. MeccaE. Sbriccoli, I.N. Greco, C. Pes & G. Mecca38 Il mondo38 Il mondo
IntroIntro
DD
BB--
AAGG
DD
AA
BB--
GG
DDAA
N.B.: No repetition in the original version, go straight to Coda.N.B.: No repetition in the original version, go straight to Coda.
4444
4040
3636
3131
DDGGmmaajjCC--GG
EEBB--
DDAA--
BBBBCC
GGmmaajj
DDGG
DD
CC--
GG
GG
CCmmaajj
DDAA--AA
AA
GGmmaajj
EE--
GG
DD
DD--
AA--
DDGG
AA
GG
AA
EEBB--DDGG
DD
EEBB--
AA--EE--GG
DDGG
GGmmaajjDDGG
DDAA--
GGmmaajjDD
AA
GG
33
33
33
44
( )( )2929
A2A22525
2121
1717BB
1313
E. Reynolds, D. Daugherty & A.J. NeiburgE. Reynolds, D. Daugherty & A.J. Neiburg
99A2A2
55
39 (I'm) Confessin' (that I love you)39 (I'm) Confessin' (that I love you)
A1A1
CCGG--DD--
DD
FFmmaajj
AA--
CC
FF
AAEE--
FF--
CC
GG--
GG
FFmmaajj
CC
CC
GG--
GG--
EE
GG
DD
BB--
FFmmaajj
EE
DD--
FFmmaajj
BBmmaajj
CCGG--
CCGG--DDAA--
FF--
GGAA--GG--FFmmaajj
CCGG--
FFmmaajj
33
33
44
( )( )3333
2929
2525
A2A2
2121
1313
CC1717
J. Dorsey & P. MadeiraJ. Dorsey & P. Madeira
BB99
40 I'm glad there is you40 I'm glad there is you
55
A1A1
DD
GG
GG
EE--
EE--
EE
GG
GG
GG
BB--
EEBB--
DD
GG
GG
DD
AA--
GG
GG
AA--
DDAA--
GGGGGG
DDGGGGGGGG
GGGGGGGG
44
5353
5757
CC6161
6565
4949
B2B2
4545
4141
1717
A1A12121
2525
B2B22929
1313
B1B1
99
(vcls.)(vcls.)
A2A2
3737
3333Stephen SondheimStephen Sondheim
55
A1A1
(instr.)(instr.)
IntroIntro
41 I'm still here41 I'm still here
EE
DD
BB--
DD
EE
BB--
GG
EE-- FF
AA
DD
AA
BB--
EE--EE--AA--//DDGG
DDGGAA--//DDGG
GGDDGG
EEBB--
DD//CC
GG
BB--
AA--//DD
DD
FF
DD
AA--
AA--
CC--
EE
AA
GGAA--//DDGG
GGAA--//DD
DD
GG
AA--
DDAA--
33
33
5353
5757
CC6161
6565
4949
B2B2
4545
4141A2A2
3737
3333
AA--//DD
EE
GG
GG
GGmmaajj
AA--//DD
AA--//DD
EE
EE--//BB
GG
GG
GG--
AA--//DD
AA--//DD
AA--//DD
GG
GG
BB--DD
EE--EE--AA--//DDGGGG
AA--//DD
AA--//DD
AA--
AA--
GG
GG
AA--
AA--//DDGG
DDGGAA--//DDGGGG
GG
AA--//DDGG
GG
8383
8787
9191
9595
7979
7575
Play twice and go to CodaPlay twice and go to Coda
7171
CodaCoda
(instr.)(instr.)
6969
CCFFCCGG--
EE
CC
DD
EE
AA--
FF
BBmmaajjFF
GG--
CC--
GG--
AA--
CC
AA--
GG--
GG--DDAA--
CC
GG
GG--
DD--
AA--AA--
GG--
AA
AA--
FFmmaajj
CC
AA--
DD
AA--
AA--
EEBBmmaajjFFCC--
CCGG--DD
EEBBmmaajj
AA--CC
FFCC--
CCGG--AAFFmmaajj
GG--GG--
CCGG--AA
DDAA--
FFmmaajj
44
( )( )( )( )
2929
2525
A2A2
2121
1717
BB
1313
G. Kahn, M. Malneck & F. LivingstoneG. Kahn, M. Malneck & F. Livingstone
99
A2A2
42 I'm through with love42 I'm through with love
55
A1A1
CCCCGGDD--
EE
CC
CCmmaajj//EE
GG--
GG
CC
FF--
GG
FFmmaajj
CC
DD--
GG
AAEE--
CC
AAEE--GGDD--
CCCCmmaajj
GG
GG
GG
DD--
FF--FFmmaajj
DD--
EEEE--
DD--
GGDD--
GG
AAEE--
DD
CC
AADD--AADD--
EE
BB
DD--
CC
44
( )( )2929
2525
2121
BB
1717
AA1313
Fats WallerFats Waller
99
55
43 Keepin' out of mischief now43 Keepin' out of mischief nowIntroIntro
CCGG--FF
DD
EE
CC
AA
CC
AA--
BB--
EE--
GG--
CCGG--
EE
GG
BBmmaajj
DD--
DD--
FFmmaajj
AAEE--FFmmaajj
EE
AA
BB--
EE--
EEBBmmaajj
DD--
FFmmaajjCC
33
33
33
33
33
3333
33
33
33
33
33
33
33
33
3333
33
44
( )( )( )( )
2929
CC2525
2121
1717AA
1313
S. Distel & J. BroussolleS. Distel & J. Broussolle
99
BB
(The good life)(The good life)44 La belle vie44 La belle vie
55
AA
CC--GG
GGCCCC--
FF--
GG
EE
DD--
GG
GG
GGFF
DD--
AA--//CCAAmmaajj//CC
DD
DD--CC--
DD--
BB--//DD
BB//DD
BB//DD
FF--
CC--
EE
EE
BB//DDCC--GG
DD--CC--//EE
CC--
GGCC--
GGGG
DD--
CC--
CC--
44
Last time to CodaLast time to Coda(instr.)(instr.)
(instr.)(instr.)
3030
CodaCoda
2626
2222
CC
1818
BB1414
J. Brel & G. JouannestJ. Brel & G. Jouannest
(vcls.)(vcls.)
1010
(instr.)(instr.)
66
AA
45 La chanson des vieux amants45 La chanson des vieux amants
IntroIntro
AAmmaajj
EE
FFAAmmaajj//EE
DD
EEBB--
DD
BB--
DD
CC
BB--DDmmaajj
BB--//EE
AAmmaajj
BB--
AAAAmmaajj
BB--//EE
AAmmaajj
BB--
34
N.B.: In the original version, last head is one tone higher (B maj).N.B.: In the original version, last head is one tone higher (B maj).
2525
2121
CC1717
BB99
1313
Serge GainsbourgSerge Gainsbourg
55
46 La javanese46 La javanese
AA
FF--EEDDFF--FF--EEDDFF--
EEDDFF--FF--EEDDFF--
GG CC
FF--
GGGGFF
EE
DD
DD
AA--
FF--
EEEE--
EEDDFF--
FF--
CC
EE
GG
BB--
AA--//DD
DDFF--
AA--
EE--
FF--EEDDFF--
FF--EEDDFF--
FF--EEDDFF--
FF--EEDDFF--
FF--EEDDFF--
442444
442444
44
(vamp on cue)(vamp on cue)(guitar solo, vcls. ad lib.)(guitar solo, vcls. ad lib.)
2929
2525
(vcls.)(vcls.)
1717
BB2121
1313
AA
99
E. Clapton & J. GordonE. Clapton & J. Gordon
55
(instr.)(instr.)
(original version)(original version)47 Layla47 Layla
IntroIntro
EEAA--//DD
AAEE//GGEE
EEBB
BB
EE
AA
FF--
FF
CC--
CC--
AA--//DD
EE//GGEE
AAEE//GGEE
EEDDFF--
33
33
33
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